24 March 2014

Tips for Jordan post users نصائح بريدية عن البريد الاردني

هاذا البوست هو نتاج تجربة شخصية مع البريد الاردني، وانا حابب افيد الناس بمعلومات تعلمتها بطلوع الروح.
اذا انت من الناس الي بشتروا اشياء اون لاين - عالأنترنت، فأكيد مريت بتجربة صعبة وانت بتحاول توصل وتعرف وين صارت الاغراض الي اشتريتها، وانا بهاد البوست رح احاول اعطيك مفاتيح الحلول لتجربة سهلة مع البريد الاردني.

اول اشي، اذا انت (online shopper) بس لسا ما اشتريت من الانترنت، تأكد تحط معلوماتك كاملة على الباكيج او الرسالة، مع رقم التلفون والاسم.

من الاخر، احنا مش بأمريكا، لاتفكر انو اذا حطيت عنوان البيت الشباب رح يجيبولك الرسالة او الباكيج لعتبة الدار،  اذا عندك رقم صندوق بريد، الفرص انو البريد يوصلك بتكون اكبر، وبعينك الله غلّب حالك و اوصل مركز بريدك وجيب البضاعة.

في فرق بين البريد المسجل والعادي، المسجل الو tracking number والعادي بدون هوية، على الاغلب، المسجل هو الي رح يجيك فيه الطرد او الرسالة لأنو اله tracking number، اذا اشتريت اشي اونلاين وماكان في tracking number لازم تطلب الرقم من البائع عشان تعرف وين صار الطرد او الرسالة لأنو اذا وصلت الرسالة او الطرد على الاردن وماحد طالب فيها بترد بترجع على البلد الام بعد حوالي الشهر او اقل. 

عشان تعرف شوصار بالطرد تبعك، اعمل تتبع هون

اذا كتير مستتقل انك تروح على البريد عشان تجيب الطرد او الرسالة، لازم تعرف شغلة، البريد بوصلك على البيت اذا كان رقم التتبع tracking number الخاص بالطرد - ببدأ بحرف (E) اما اذا كان ببدأ بحرف (R) فا بحب اقلك انسى موضوع انو موظفين البريد رح يوصلولك اي اشي على البيت - هاي معلومة من البريد نفسه.

اذا كنت اشتريت اشي من الانترنت ورقم التتبع tracking number بقلك انو الطرد او الرسالة وصل الاردن، فلازم تلحق حالك وتحكي مع مركز البريد وتشوف لساتو عندهم ولا لأ، طبعا في حالة انك ماعندك صندوق بريد وانت حطيت عنوان البيت ولسا ما وصلك وشكلو مش ناوي يوصل فهو على الاغلب بكون في مركز البريد الرئيسي في منطقة المقابلين، وبالطريقة التالية بتقدر توصل للطرد او الرسالة تبعتك:
     - احكي مع 064293000 وادخل الرقم الفرعي 4247 (ممكن مايرد من اول مرة لكن ضلك حاول)
     - رح يرد عليك شخص لطيف، اشرحلو الموضوع واعطيه ال tracking number
     - اطلب منه يوصلك الطرد على صندوق بريدك 
     - اذا ماعندك صندوق شوف ايش اقرب مركز بريد لبيتك واطلب التوصيل إله.
     - اسأله متى رح يكون الطرد في المركز المذكور عشان تروح تستلمه.
     - قله (يعطيك الف عافيه) وسكر الخط.





لقيت المعلومات مفيدة؟ اترك تعليق او اعمل شير.

09 January 2014

My personal travelling tips (15 tips to save you a lot of trouble when abroad)

If you love traveling just like me, you probably got here googling something related to traveling. I love traveling, who doesn't? But often i forget many things that are necessary to any traveler. It's the small things that makes the difference, you're packing and you think that you're ready to go just because you packed the essential and big things like clothes or shoes, but then again, you didn't realize that what you don't use on your everyday activities might come in handy when you travel, And it also depends of where and how you're traveling. I learned this the hard way, so I'm writing to make it easier on others and I hope this list can be useful to anyone who reads it.

 1. Nail clipper: One of the most important things to have on you, is a nail clipper, you might think it isn't really important, but imagine having your nails growing longer than you think, especially in summer, they grow very fast, and sometimes it can be very embarrassing or painful when they do, it doesn't take space but it's sure very useful to have.

2. The right clothes for the right season: So where are you going? Will it be hot or cold there? If you know exactly when you're going, check the weather for that location at that time when you'll be there, don't make assumptions and don't count on somebody Else's opinion or previous experience, check online websites for weather in that location, close your eyes and imagine what do you want to see your self wearing there, make sure not to take extra or unnecessary clothes they can be a burden, And one important thing to keep in mind, in certain countries, some clothes may offend locals or makes you uncomfortable while walking down the street passing by people who stare at you. So try to keep that in mind when you do your search about your destination. 

3. Phone/Laptop charger: I know you may say 'I got it' but hey, this is really important, If you're taking your mobile or laptop with you, make sure to bring the chargers, this is not a joke, specially for the phone, I suffered a few times just because i forgot the phone charger, i couldn't make calls, or find a place who sells phone chargers to solve my problem, and i couldn't leave my phone at a public charger or with someone to charge it for me. So when it comes to trips, telecommunications is the key, without it, you're officially Lost.

4. Pillow covers: This does not apply to everyone and does not apply to every trip. But, if you're traveling on low budget, and had to sleep at a cheap motel or hostel, Take it from me, i know that motels and hostels does not wash their pillow covers and sheets after every person, they often tend to cut cost, so for some if it looked clean, they'll keep it in use. If you think for one second that you'll be staying at a cheap place or you're counchsurfing and you care about your higeen take a couple of pillow covers with you.

5. Swiss knife: Needless to say, a swiss knife is a man's best buddy in travels, It can and most probably it will come in handy, you might need to crack a can, cut something, or even use it for protection. I, my self i have used it open a can of beans that i bought from some store when i was traveling. I didn't need to buy another tool to crack it, i had my best buddy with me, the swiss knife. But be careful, when flying, don't keep it in your carry-on or backpack, they will take it away from you, and never return it, you swiss knife must remain in your big bag during your time in the plane.

6. Ear plugs: Imagine your self, booking a hotel somewhere, and when you got there, you went to sleep to have some rest, and at night you found out that your hotel was next to a rail road, or close to a construction site, or maybe a couple in the room next to you are making love and and it's just too loud! Your earplugs might be the best solution here, you have no idea how useful they can be, because when you're in a situation where you can't control the loud noise around you and you really want to rest, earplugs can reduce up to 85% of the surrounding noises.

7. A scarf: No, it's not a silly idea, and it's certainly not only for women, in most places even in summer, it often gets windy or cold at night, and for me, the most important area to cover and keep warm is my neck, this is how i often see people get sick, they can be very warm from every part of their bodies but they get sick the next day just because their nick was exposed to the cold air, and it's really unpleasant to be sick during your travels, It usually takes more time to heal when you're not in your own territory because of many reasons. So avoid exposing your nick area to the cold air and it will definitely save you a lot of trouble. 

8. Basic medicine: Who doesn't get a headache from time to time? We all do! Keep some aspirin or panadol with you in the bag, and trust me, you won't regret it. Also, keep one or two kinds of herbs like sage and rosemary. In the Middle eastern culture people have sage a lot when they get sick because of it's many benefits, It's an instant healer for so many illnesses like stomach ache or cold. Just drop some leaves in some hot water and you're good to go. 

9. Non-Perishable Snacks: It's just food, and you might think, "hey, i'll buy some from a nearby grocery or a store" But trust this; A few snacks won't harm you, as a matter of fact you will probably be in a situation where you're hungry and too tired to move your self to a nearby store, Or maybe you don't have change, or you're even short on money! Buy a handful of snacks and throw them at the bottom of your bag, and you will see how they will serve you and put a smile on your face on a certain point.

10. A source of entertainment: On your travels, you will be in a situation where you will spend time waiting, maybe for a train, a plane, a bus or even someone! Make sure to carry something to waste your time with because you wouldn't want to die of boredom, now would you?
Think of something that can keep you entertained for a few hours just in case. A few suggestions; can be a book, phone, laptop, a sketch book with some colors to draw, a music player, or even a Nintendo. Just figure out something that could keep you busy in case you had to sit and wait.

11. A GPS or a map: This one is very important, especially if you had to rent a car to drive around. The GPS on my samsung young, saved my life - (not literally) - and saved me a lot of time i could have wasted asking people for directions, and sometimes the circumstances and conditions of the area or country that you're in, won't allow you to stop and ask for directions. One bad thing happened to me, that someone intentionally led me to a wrong direction, and i spent more than 1 hour driving until i realized it was wrong. If you are to ask, ask more than one person, even if the first one seemed to be nice and so sure. That is why the GPS or a map won't fail you, so i strongly recommend that you study the road you're about to take, and have a GPS or a map with you on that trip.


12. Don't sleep in a hotel/hostel if the area looked too suspicious for you: We all want to save money, even the rich! But here, i'm talking about hostels and motels again, Sometimes you pick a hotel in the daylight because it's cheap, you just want to spend one or two or maybe three nights there, but you need to be careful here, because the night is not as safe as day. Some areas around the world are safe during the day and dangerous at night, like 'Oakland, CA'. Be sure to pick a place close to a main street, a mall, a police station, something that does not look suspicious, Google it before you stay at it, ask the reception, do your research, unless you want to live 'I am legend' during your travels, trapped in all night because it isn't safe out there, try to pick a place that you can walk in or out of at all times, not worrying that you will get robbed or stabbed if you don't play kung-fu.

13. Your money and passport should remain by your body at all times: When you travel to a foreign country, your survival depends on two things, your money and your passport. Don't you ever, place your money in your big bag, or wallet, get one of these hidden bags that hangs off your nick, one that can be hidden under your clothes, and put your passport and money in it. Even though it might not be so comfortable, but your safety and return insurance is much more important than your comfort.

14. When getting into a Taxi, make sure they turn the counter on right away or get off the vehicle: It happens, everywhere, that Taxi drivers would want to take an advantage of a foreigner just because he or she doesn't look local, Taxi drivers often do that, you get into a taxi and even after you name your destination and they drive off, they don't turn on the counter, So you need to pay extra attention, Once you get in a taxi cab, you need to ask them to turn it on, if they didn't, tell them to pull over - You can learn how to say pull over in their language before putting your self in that situation - And if they seemed to be a threat, shout, act crazy and threaten them, show an aggressive body language, only then they will know that you can be more trouble than a benefit to them, and they will pull over to let you go.

15. Don't roam, Buy a local sim card with a good package: Yes! Do not use the roaming on your sim-card, the one you bring from your home country! Why? because it's so damn expensive! So what to do? Take a trip to a telecommunication company, not only one, but try more than one, get a few deals and compare, which has the best connection, more minutes and less prices, which one will charge you less for when you call your homeland? ask as many questions as you want! don't be shy, they're there to help you, You don't have to activate the roaming on your own number when you go outside the country unless you're willing to pay so much money, But if you'd like to keep your own number on because you receive whatsapp and text messages on it, You may want to consider buying a cheap none-smart phone for the new local line, this way you will have both in service, and you can receive from one and send from the other to spare your self the big roaming bill. A cheap phone can be a basic Nokia, these phone can last for days with one time charge. 


Share you opinion about my tips :) 

P.S: you can quote from me, but please be kind and mention the source. 

05 April 2011

Writer's Group: Your Script Family – The Script Lab

Writer's Group: Your Script Family – The Script Lab


Deadlines!

There’s nothing better than a deadline to get a writer to kick some screenplay butt, and if you’re like most script scribes (A-list writers working on assignments for major studio pictures not included), it’s hard to stay on track for self-imposed deadlines. Three months become six months, which turn into a year, and you’re still not finished with the stinking first draft! Not to mention, once you do finish, you must embark on the arduous task of getting feedback.

So, what’s the solution? Create a writer’s group. Six members is ideal, both men and women. If you meet once a month, you’ll present new material twice a year: that’s two features! Not too shabby. You’ll also read ten original spec scripts a year, providing critical feedback each time.

This is no hollow exercise, because you can often learn more about screenwriting by helping others solve their script problems, and those lessons taught will be parlayed into better writing of your own.

If you’re straight out of film school, putting together a group is easy. If not, use craigslist, social networking, or any platform really to make it happen. Virtual groups are okay (which may be the only option for the geographically isolated writer), but the best option is to find writers in the same local area, so you can literally sit down together and workshop.

Your Hero: Top Ten Rules – The Script Lab



The most important character in your screenplay is your protagonist: your hero. It's her story. We hope and fear for her. She' the interesting somebody who wants something badly and is having trouble getting it. Without your hero, there is no story. But when creating that unforgettable protagonist, you must know the whole package - the entire iceberg - which is no easy task, but follow these Ten Key Rules and you'll sculpt a hero that breaks the mold.
1. You must create an interesting protagonist, one that your audience will want to watch, hope, and fear for.
2. We don’t have to feel sympathetic toward him/her (although it is a great help), but we must at the very least feel empathy.
3. We love to see characters acting bravely, so it is not only what the character is trying to accomplish that makes us cheer for him or her, but it’s the lengths he/she is willing to go to get it. Make sure the lengths are far. We want a journey. 
4. Know your main character. His/her dreams, wants, desires must be there on page one. Ask how we identify with, relate to, or are fascinated with him/her. 
5. A central character cannot exist without conflict. Make sure you have enough obstacles (internal and external) that your character must face.
6. Your main character must have a weakness (hopefully many). They are often oblivious of these weaknesses, or in denial, or constantly trying to hide from themselves. 
7. Attack your main character at his/her weakest spot, and he/she will show things about him/herself that he/she doesn’t want to reveal. 
8. Your main character should not be aware of the full dimensions of the theme at the beginning of the story, but he/she will learn. 
9. Think of your main character unfavorably. This will make them believable and more human. 
10. Change. Make sure your characters learn as they go. How does he change? What does she learn? How is he/she becoming someone different.

Voice over narration



“God help you if you use voice-over in your work, my friends. God help you! That’s flaccid, sloppy writing. Any idiot can write voice-over narration to explain the thoughts of a character.” So says screenwriting guru Robert McKee (played by Brian Cox) in Adaptation.
I agree… almost.
If you’re just starting out, yes: avoid voice-over in all circumstances. You must first learn how to write an effective screenplay without V.O. before you can understand how to use it successfully. Film is a visual medium, and it’s the screenwriter’s job to show the story, not simply tell it through narration.
It would be unfair, however, to say V.O. is never a useful tool, but the beginning screenwriter is not skilled enough to know how to use it effectively, and the probability of forcing us through the story with unnecessary or jolting narration is high.
The skilled screenwriter, on the other hand, can craft wonders when executing V.O. properly. Consider William Holden’s cynical, beyond the grave narration in Sunset Boulevard, Morgan Freeman’s smooth and harmonious tone in The Shawshank Redemption, Robert De Niro’s increasingly disturbed mind in Taxi Driver, or Edward Norton’s razor-edge delivery in Fight Club. These films are great examples of exemplary voice-over use because the writers are careful not to describe what the audience already sees. Rookie mistake.
When using V.O., it’s paramount that you create layers and let the audience add it up.

Script Tip: Voice Over Narration

VOICE OVER
c 2005 by William C. Martell
You may have noticed that SIN CITY has voice over narration. It fits the film's pulpy roots - the old Film Noirs of the 1940s and Roman Noirs of the 1930s and 1940s. Tough guy stuff. But wait - isn't Voice Over Narration one of the two big no-nos in screenwriting? Shouldn't someone from the Film Police take Robert Rodriguez out and shoot him? Shouldn't he at least be kicked out of Hollywood (or Austin)?
The reason why everyone says "Never use flashbacks or voice over narration" is that most of the time they are used wrong. 95% of the scripts they read with flashbacks and voice over narration suck because

the writer used both techniques to plug plot holes with a big chunk of verbal or visual exposition. The problem is, some of the greatets movies ever made have voice over - what would SUNSET BLVD be like without that "typical monkey funeral" narration?
One of my all time favorite undiscover flicks, PULP starring Michael Caine, uses voice over narration. It's about a novelist who writes tough guy action books, who takes a job writing the memoirs of a real mobster... and the narration is pure tough guy pulp - all of the cliches. What makes the film funny is that the tough guy narration is at counterpoint to the reality of the wimpy novelist. Like every other bookworm, he's not exactly an action hero. Often the narration describes him beating the heck out of the bad guys, while the picture shows the bad guys beating the heck out of the hero! And that's where the much of film's humor comes from. To remove the narration would remove much of the humor and kill the film! The story would still work,

it just wouldn't be *funny*. The resulting film would be a semi-serious

movie about a writer who gets in over his head with the mob... and a mob hit man - the late, great Al Letari dressed as a nun - is tracking him down.
So - is voice over a good thing or a bad thing? If Billy Wilder can use

it in classics like SUNSET BLVD and DOUBLE INDEMNITY, why can't the rest of us? Is it something that only working pros can use? Or must we give up our DGA & WGA cards and move to Texas if we want to use VO narration?
It's easier for some Guru to say "Never use voice over narration" than it is to explain WHY you shouldn't use voice over in most cases but SHOULD use voice over in other cases. This is complicated, may be difficult to understand at first, but here goes:
1) Voice Over and Flash Backs are STYLES - that is, they don't just pop

up here and there in the story. The entire story uses flashbacks or voice over. SUNSET BLVD is a narrated movie - the whole thing has a voice over. Same with THE OPPOSITE OF SEX. The voice over doesn't just pop up in the middle of the film. Look at any of those great films that

use voice over narration and you'll note that the *whole film* is narrated. One of the indicators that VO is being used to plug a plot hole is when it only pops up here and there - right where the plot holes are. Hmm, that's kind of suspicious! If you find yourself only needing the narration here and there, you are probably using it for evil rather than good and you should probably just get rid of it.
2) Voice Over isn't used to tell the story, it's used to comment on the

story already being told through actions and dialogue. Remember, film is a *visual* medium. That doesn't mean dialogue is unimportant. But if

you aren't using the picture part to tell the story, you're wasting film. You don't want a big chunk of narrative exposition telling your story, you want the audience to *experience* your story through what the characters SAY and DO. If the narration is telling us the story, what makes it a movie? Why don't you just stand in front of an audience

and *read* the narration? Skip the whole film thing. Moving pictures are stories told through *moving pictures*. Don't tell us with the narration, show us - let us see and hear what happens.
3) You should be able to remove Voice Over Narration and the entirescript still makes perfect sense. We still understand every character's
motivations, we still understand the connections and relationships between characters, we still understand what happens. The script doesn't *need* the voice over narration - you aren't using it as a crutch or to cover up story problems. Narration is often mis-used as a way to get inside a character's head - it's thought balloons. The problem with using narration to get inside a character's head is that it isn't *visceral* - it's intellectual. Words have to be processed by the audience - we have to convert the words into feelings.

They aren't actual feelings. If I show you a man kicking a puppy, *you* create the feelings yourself. *You* experience the feelings. No processiong required. So you want to find ways to convert thoughts and feelings into *experiences* rather than just have the character tell you about them. Make the story FIRST HAND instead of something related verbally. You want to make sure you are using the narration for the right reasons. If you're using narration to hide lazy writing, you're better off just getting rid of it.

If you *can't* get rid of the narration and

still have a script that works, your script doesn't work... fix the danged script!
4) Voice over is never used to plug plot holes... One of the reasonswhy Voice Over Narration has a bad name is that it's often used to "fix" screwed up films. When they used to have a film where the story didn't make any sense, or they had to chop a half hour out of the middle of he story for running time, or the film had some other big problem; the studio would try to fix it with narration. They were plugging holes. So Voice Over Narration became one of those signs thaat

a movie sucked, along with no critic screenings and the words "Starring

Ben Affleck". Though so many *great* films use narration, there are probably many many more bad ones that do. So when a producer sees narration in your script they may worry the narration might be seen as a negative. Why buy a script with a negative element?
5) Voice Over adds an ADDITIONAL LAYER to the story. Think of it as the

icing on the cake. It's not the cake. You can eat the cake without the icing, but it's even better *with* the icing.
6) Voice Over is often used with book ended stories - where we beginafter the story is over and flash back to the story in progress. AMERICAN BEAUTY does this very well. Again - you could remove the Voice

Over from AMERICAN BEAUTY and the story would still make perfect sense.. We just wouldn't have Lester's funny commentary on the story. Same thing with PULP: we'd still get the whole story of novelist Michael Caine writing a gangster's tell-all biography and meeting up with other mosbeters who would rather he not *tell all*, but we'd miss the comedy that comes from the contrast between the tough guy Caine imagines himself as, and the wimpy writer he really is. SUNSET BLVD would work perfectly... but we wouldn't get William Holden's sarcastic commentary on the film biz. That commentary is an additional layer - it's icing on the cake.
7) Your Voice Over better be damned funny... who wants a cake spoiledby crappy icing? If the Voice Over doesn't make an already great script

even better, it's best to just leave it out. If the narration isn't making a great story even better, it's just taking up space, isn't it? Because Voice Over is never REQUIRED TO TELL THE STORY a Voice Over that doesn't really kick ass is adding weakness to a perfectly good story. It will drag your whole script down! So make sure your narration

*rocks*! Make sure it's as good as Billy Wilder's narration in SUNSET BLVD. If it isn't as good as Wilder's - get rid of it!
Voice Over Narration isn't evil. It can be used by new screenwriters as

well as old pros. The problem is, narration can be used for good or for

evil. Using it the wrong way makes your script suck really bad - and we

don't want that. So use it with caution. Make sure you are using voice over narration for the right reasons - to add that additional layer to your script. Don't give in to the dark side!
For more script tips:
http://www.ScriptSecrets.Net
1) What is the best use of VO Narration in a film?
2) What is the worst use?
3) What are exceptions - movies that have VO Narration that addsnothing, but plugs plot holes... and works?

14 March 2011

King Hussein Son of Talal - Father of all the Jordanians الملك الحسين بن طلال - والد كل الاردنيين

نُــــحِبُهُ

لأنه السطر الجميل في صفحاتنا
ونكتب إسمَه على راياتنا

فليبقى احلى امنياتنا
وحبنا الجميل في حياتنا















alia family














queen alia, king hussein family, king hussein, king hussein and his wife





king hussein of jordan, hussein bin talal, queen noor hussein
















k










رحمك الله يا مولاي ولا يمكنني القول إلا ان اسمك محفورٌ في قلبي ما حييت